Journal of Imamiyyah Studies

Journal of Imamiyyah Studies

A Comparative Study of Sabahi Bidgoli's Composition "The Lament of Imam Hoseyn (AS)" and Mohtasham Kashani's Composition Based on Semantic Deviation

Document Type : Original Article

Authors
shiva sadegi 1
arman mohamadi 1
ehsan mostafapoor 2
hedieh jahani 3
1 Assistant Professor Department of Arabic Literature, Payame Noor University, Tehran, Iran
2 Assistant Professor, Department of Culture and Media, Shahid Mahalati University, Qom, Iran
3 PhD in Arabic Language and Literature, Razi University, Kermanshah, Iran
10.22034/jis.2023.312235.1732
Abstract
The norm is the method accepted by the majority of society, and deviation is avoidance of the method. Deviation or defamiliarization is a topic raised in formal criticism and is one of the contemporary literary theories. Contemporary linguists and theoreticians have introduced various types of deviation, of which semantic deviation is one of the most common, used to convey artistic messages to the audience. Sabahi Bidgoli wrote a composition in the mourning of Imam Hoseyn (AS) following Mohtasham Kashani, which shows his expertise in depicting and creating innovative scenes. One of the prominent features of this composition is the technical and artistic use of semantic deviation, literary arrays, fictional images, and rhetorical elements such as similes, metaphors, irony, and rhetorical techniques. In this research, while examining the semantic defamiliarization in the above-mentioned composition and expressing its beauty, we compare it with Mohtsham's and point out some similarities and differences between these two works.
Keywords
Semantic Deviation
Sabahi Bidgoli
Composition
Elegy
Rhetoric
Fictional Images
Subjects
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Journal of Imamiyyah Studies
Volume 9, Issue 17 - Serial Number 17
September 2023
Pages 121-151